“Gentlemen Prefer Blondes” Comedy Essay

Gentlemen Prefer Blondes is a 1953 Musical-Comedy released by 20th Century Fox, directed by Howard Hawks and starring Marilyn Munroe and Jane Russell the two greatest wake up symbols of the era. The cameras point of good deal is that of the antheral see, where women ar regarded as objects of fascination and the men ar assume to restrain a piazza of power. Hawks shows how it nominate be easily hijacked by womanishs immaterial enough to control, hold in and ultimately daub the mannish gaze. As some(prenominal) as this film is shot for the manly gaze it is as much for a female audience as it is for males.In the song-and-dance sequence, When Love Goes Wrong, the two female protagonist had just been expelled from the hotel by Gus. though the accompaniment for Lorelei and Dorothy should be one where they are left helpless and powerless the context however displays the opposite. In the entire position both female protagonist are captured front and center with close ups a nd the light on their faces is well defined which gives them a sense of importance and power. At the very(prenominal) time the men gather somewhat them captivated, giving their undivided attention to the females as they sing and dance giving them a position of control over the men.Their position of power is so prominent that they take down get the admiration of young boys who reckon to be gypsys. Gypsys are known to be quick, sagaciously and in control when it comes to stealing unless in this crack their heads are moody by the sensual Lorelei and they are all in all distracted. Bothe females are well aware of their manipulative powers as Dorothy encourages Lorelei to exercise her charms, saying, Do it now, do itWhat appears to be submissive to the male gaze, in this scene however they roam on a chow in exchange to negotiate their presence and support their voices heard in a dominantly male world. When the females are seated they appear to be two damsels in distress, howe ver the relocation of standing up represents liberty and the aloofness they command when dancing communicates freedom and power. A melancholy moment turns to a spirited and fun sing-and-dance where they reject the actions of men to have power over their emotions.Though the scene is shot in the view of the male gaze the line is blurred when Lorelei and Dorothy use their sensual and attractive appearance to control, manipulate and command power in a dominantly male world. By this the scene takes a turn to cater to the female batch giving a sense of authority and independence in a situation where they should be the damsels in distress.